Publikationen

 

PhD
It worked yesterday - On (re-)performing electroacoustic music 
 
Papers/Presentations
Berweck, S. (2007a). trigger - Crossover aus Lust und Prinzip. positionen, (71), 26–27.
Berweck, S. (2007b, February 2). Extended technique und ihre Notation. Presented at the Carl von Ossietzky Universität, Oldenburg.
Berweck, S. (2007c, November). Michael Maierhof. In Komponisten Der Gegenwart. München: edition text+kritik.
Berweck, S. (2007d, November 5). The Extended Piano. Presented at the Learning from Performers, Harvard University, Cambridge.
Berweck, S. (2008). Was macht der Computer im Konzertsaal. In G. Birnkraut & K. Wolf (eds.), Kulturmanagement konkret 2008: Interdisziplinäre Positionen und Perspektiven (pp. 147–161). Hamburg: Institut für Kulturkonzepte.
Berweck, S. (2009). The man/machine interface in music with electronics. Presented at the National Music Performance Symposium, University of Coventry.
Berweck, S. (2010). Musik und Strom :: bonedo.de. Retrieved May 11, 2012, from http://www.bonedo.de/artikel/einzelansicht/musik-und-strom.html
Berweck, S. (2011a). Musik gab es immer zuhause. Villingen im Wandel der Zeit, (XXXIV/2011), 19–20.
Berweck, S. (2011b). The Game Changer - Playing with electronics as a soloist. eContact!, 13(2).
Berweck, S. (2011c). eContact! 13.2 - Keyboard + Live EA: The Performer’s Perspective: Editorial. eContact!, 13(2).
Berweck, S. (2011d, March 17). Zwischen allen Stühlen. Der Interpret im digitalen Zeitalter. Presented at the Ambiant Creativity -  Digital Creativity and Contemporary Music, Karlsruhe.
Berweck, S. (2011e, November 10). Das Altern der elektroakustischen Musik. Presented at the Musik 21 Festival √Musik = Energie2, Universität Hildesheim.
Berweck, S. (2011f, November 12). Common misconceptions in the music business. Presented at the Research Forum, University of Huddersfield.
Berweck, S. (2012a). Schnipseljagd. Eine Höreinführung in die neue Musik. positionen, (92), 31–33.
Berweck, S. (2012b, March 20). Why-Because-Analysis. Presented at the Research Forum, University of Huddersfield.
Berweck, S. (2013a). It worked yesterday - On (re-)performing electroacoustic music (PhD). University of Huddersfield, Huddersfield.
Berweck, S. (2013b). Artistic Experimentation in Music: Cooperation and Collaboration between Performer and Composer in Electroacoustic Music. Presented at the THE (RE)SOUNDING EXPERIMENT - Traces, Faces and Spaces of Artistic Research, Orpheus Instituut Ghent.
Berweck, S. (2013c). A relationship of mutual benefit or dependence? Presented at the Improvisation and Digital Arts Festival (IDAF), Kingston University London.
Berweck, S. (n.d.). VSL Vienna Imperial. bonedo.de - Das Musikerportal. Retrieved from http://www.bonedo.de/artikel/einzelansicht/vsl-vienna-imperial.html
Drees, S., & Berweck, S. (2010). Mit dem Ungewöhnlichen umgehen. Der Pianist Sebastian Berweck im Gespräch. Seiltanz. Zeitschrift für aktuelle Musik, 1(Oktober 2010), 39–44.
Hewitt, S., & Berweck, S. (2010). on_radio_MIDI. Presented at the RMA Study Day: Collaborations in Practice Led Research, Leeds.
Lücker, A., & Berweck, S. (2012). So normal wie ein Audioguide im Museum. positionen, (92), 21–23.
McLaughlin, S., & Berweck, S. (2010). Dissolution. Presented at the RMA Study Day: Collaborations in Practice Led Research, Leeds.
Michailidis, T., & Berweck, S. (2011). Tactile Fedback Tool: Approaching the foot pedal problem in live electronic music. In Proceedings of the International Computer Music Conference 2011. Presented at the International Computer Music Conference  2011, Huddersfield: International Computer Music Association.