Premieres

2026

Ying Wang: new work (World Premiere: Berlin)
Luxa Schüttler: new work (World Premiere: Berlin)
Mathias Monrad Møller: new work (World Premiere: Berlin)
Sos Gunver Ryberg: new work (World Premiere: Berlin)
Sarah Nemtsov: Wir (World Premiere: Dortmund)

2025

Eloain Lovis Hübner: new work (World Premiere: Berlin)
Florian Zwissler: new work (World Premiere: Essen)
Marta Sniady: „BodyXUltra“ (AT Premiere: Graz)
Thomas Kessler: „La montagne ardente“ (AT Premiere: Graz)
Lula Romero: „I contain multitudes“ (AT Premiere: Graz)
Bernhard Lang: „DW30 – Loops für Klaus Schulze“ (AT Premiere: Graz)
Pierre Jodlowsky: „Artefacts“ (AT Premiere: Graz)
Marta Sniady: „BodyXUltra“ (World Premiere: Kiel)
Lula Romero: „I contain multitudes“ (World Premiere: Kiel)
Jakob Lerch: New work (World Premiere: Hannover)
Leon Speicher: New work (World Premiere: Hannover)
Wojtek Blecharz: „Sonata for keyboard and tape“ (Berlin)
Eloain Lovis Hübner: „Trauma und Zwischenraum 3“ (Recording: Cologne)

2024

Pierre Jodlowski: „Artifacts“ (CH Premiere: Zürich)
Daniela Fantechi: „Within a dream“ (CH Premiere: Lausanne)
Denis Dufour: „Ondulations“ (CH Premiere: Lausanne)
Thomas Kessler: „La montagne ardente“ (CH Premiere: Lausanne)
Christina Kubisch: „Electrified“ (CH Premiere: Lausanne)
Yves Daoust: „Impromptu 2“ (US Premiere: Cambridge)
Dariya Maminova: „Melchior“ (US Premiere: Cambridge)
Iris ter Shiphorst: „Eden cinema“ (US Premiere: Cambridge)
Michael Beil: „Doppel“ (US Premiere: Cambridge)
Denis Dufour: „Ondulations“ (World Premiere: Wiesbaden)
Hainbach: „Zeitzeichen“ (World Premiere: Witten)
Pierre Jodlowski: „Artifacts“ (World Premiere: Witten)
Thomas Kessler: „La montagne ardente“ (World Premiere: Witten)
Christina Kubisch: „Electrified“ (World Premiere: Witten)
Hans Thomalla: „Dark Fall“ (World Premiere: Mannheim)
Michelle Lou: „Teeth“ (World Premiere: Berlin)

2023

Annesley Black: „hurry up the machine… I HAVE STRUCK A BIG BONANZA“ (PL Premiere: Wroclaw)
Svetlana Maraš: „Scherzo per oscillatori“ (PL Premiere: Wroclaw)
Misha Cvijovic: „Iktsuarpok“ (Solo version) (PL Premiere: Wroclaw)
Dorit Chrysler: „Fracture 22“ (PL Premiere: Wroclaw)
Christopher Cerrone: „The Insects Became Magnetic“ (DE Premiere: Berlin)
Luc Döbereiner: „Phasenregelkreis“ (World Premiere: Berlin)
Hanna Hartmann: „Nijo“ (World Premiere: Berlin)
Nicole Lizée: „Katana of Choice“ (Duo Version) (World Premiere: Karlsruhe)
Arturas Bumsteinas: „Voice Turnings“ (World Premiere: Berlin)
Asmus Tietchens: „Pseudo Topos“ (World Premiere: Berlin)
Julia Mihaly: „Ein Raum in dem man wohnt“ (World Premiere: Berlin)
Andrea Neumann: „Signale vom Rand“ (World Premiere: Leipzig)

2022

Sarah Nemtsov: „Amplified Imagination“ (IT Premiere: Matera)
Enno Poppe: „Rundfunk“ (ES Premiere: Barcelona)
Martin Lorenz: „Rauscharbeit“ (CH Premiere: Zürich)
Korhan Erel: „Losing Track“ (CH Premiere: Zürich)
Midori Hirano: „KŌ-IN“ (CH Premiere: Zürich)
Christoph Ogiermann: „Hark 1b“ (CH Premiere: Zürich)
Kirsten Reese: „Creatures and Signals“ (CH Premiere: Zürich)
Misha Cvijovic: „Iktsuarpok“ (Solo version) (DE Premiere: Berlin)
Kirstine Lindemann: „TRIO“ (DE Premiere: Berlin)
Dorit Chrysler: „Fracture 22“ (DE Premiere: Berlin)
Juan David Perez: „Abstraco Model – Ducil Artefacto“ (DK Premiere: Copenhagen)
Laurie Spiegel: „The Unquestioned Answer“ (DE Premiere: Frankfurt)
Korhan Erel: „Losing Track“ (World Premiere: Berlin)
Midori Hirano: „KŌ-IN“ (World Premiere: Berlin)
Christoph Ogiermann: „Hark 1b“ (World Premiere: Berlin)
Svetlana Maraš: „Scherzo per oscillatori“ (World Premiere: Berlin)
Annesley Black: „hurry up the machine… I HAVE STRUCK A BIG BONANZA“ (World Premiere: Berlin)
Juan David Perez: „Abstraco Model – Ducil Artefacto“ (World Premiere: Frankfurt)
Misha Cvijovic: „Iktsuarpok“ (Solo version) (World Premiere: Copenhagen)
Kirstine Lindemann: „TRIO“ (World Premiere: Copenhagen)
Dorit Chrysler: „Fracture 22“ (World Premiere: Copenhagen)
Ying Wang: „528 Hz 8va“ (World Premiere: Stuttgart)
Hannes Seidl und Anselm Neft: „Die Flexibilität der Fische“ (World Premiere: Frankfurt)
Steingrimur Rohloff: „Stresstest“ (World Premiere: Berlin)
Karen Power: „bog songs“ (World Premiere: Berlin)

2021

Leopold Hurt: „Dissociated Press – Final“ (HR Premiere: Zagreb)
Marco Ciciliani: „Going to Hell“ (HR Premiere: Zagreb)
Sarah Nemtsov: „Seven Thoughts“ (HR Premiere: Zagreb)
Korhan Erel: „Soundtracking“ (CH Premiere: Zürich)
Martin Lorenz: „Rauscharbeit“ (CH Premiere: Zürich)
Malte Giesen: „Introduction – Tranquility Base“ (CH Premiere: Zürich)
Midori Hirano: „Forests and Tides“ (CH Premiere: Zürich)
Trond Reinholdtsen: „The Followers of Ø“ (World Premiere: Dresden)
Sibylle Pomorin: „Pick up the Thread“ (World Premiere: Online)
Dariya Maminova: „Melchior“ (World Premiere: Cologne)
Malte Giesen: „Introduction – Tranquility Base“ (World Premiere: Berlin)
Davor Vincze: „Xinsheng“ (World Premiere: Zagreb)
Julie Herndon: „At That Time“ (World Premiere: Zagreb)
Korhan Erel: „Soundtracking“ (World Premiere: Hannover)
Martin Lorenz: „Rauscharbeit“ (World Premiere: Hannover)
Midori Hirano: „Forests and Tides“ (World Premiere: Berlin)
Laura Mello: „Syg-/NATION“ (World Premiere: Berlin)
Daniela Fantechi: „within a dream“ for ensemble (World Premiere: Berlin)

2020

Hans Thomalla: „Dark Spring“, music theatre (World Premiere: Mannheim)
Laura Mello: „Syg-/NATION“ for synthesizer trio (World Premiere: Berlin)
Sarah Nemtsov: „Journal“ for ensemble (HU Premiere: Budapest)
Lisa Streich: „Mole’s Breath“ for ensemble (HU Premiere: Budapest)
Laura Mello: „Pidg In Note Out“ for ensemble (HU Premiere: Budapest)
Wojtek Blecharz: „Sonata for keyboard and tape“ (World Premiere: Berlin)

2019

Bernhard Lang: „Cheap Opera #1) for synthesizer trio (World Premiere: Berlin)
Kirsten Reese: „Porpoise“ for synthesizer trio (World Premiere: Berlin)
Malte Giesen: „7eleven“ for synthesizer trio (World Premiere: Berlin)
Bernhard Lang: „DW30 – Loops für Klaus Schulze“ for synthesizer trio (World Premiere: Berlin)
Dick Raaijmakers: „Intona“ performance (IE Premiere: Dublin)
Johanna Beyer: „Music of the Spheres“ (DE Premiere: Berlin)
Malte Giesen: „Concert for hyperreal piano and orchestra“ (World Premiere: Berlin)
Frank Becker: „Follies für Fontane“ (World Premiere: Ribbeck)

2018

Bernard Parmegiani: „Stries“ Trio for three synthesizers & tape (LU Premiere: Luxembourg City)
Tristan Murail: „Vision de la Cité Interdite“ Duo for two DX7 synthesizers (LU Premiere: Luxembourg City)
Tristan Murail: „Atlantys“ Duo for two DX7 synthesizers (LU Premiere: Luxembourg City)
Eliane Radigue: „Vice Versa“ tape piece (DE Premiere: Stuttgart)
Dick Raaijmakers: „Intona“ performance (DE Premiere: Stuttgart)
Øyvind Torvund: „Archaic Jam“ for orchestra (World Premiere: Donaueschingen)
Malte Giesen: „$88 or The Poetry of Capitalism“ for ensemble (World Premiere: Stuttgart)

2017

Or Shemesh: „Daddy, Mommy / Life was Like a Box of Chocolates / No Regrets“ for pianist with untrained voice (World Premiere: Leipzig)
Helmut Oehring: „FinsterHERZ“ music theatre (World Premiere: Potsdam)
Sarah Nemtsov: „Sacrifice“ Oper (World Premiere: Halle)
Andrej Koroliov: „Hinterhalt Boris“ music theatre (World Premiere: Berlin)
Daniel Kötter/Hannes Seidl: „Stadt (Land Fluß)“ music theatre (World Premiere: Berlin)

2016

Enno Poppe: „Rad“ Duo for two microtonal pianos (AT Premiere: Schwaz)
Bernard Parmegiani: „Stries“ Trio for three synthesizers & tape (PL Premiere: Gdansk)
Tristan Murail: „Vision de la Cité Interdite“ Duo for two DX7 synthesizers (PL Premiere: Gdansk)
Tristan Murail: „Atlantys“ Duo for two DX7 synthesizers (PL Premiere: Gdansk)
Yannis Kyriakides: „Trench Code“ Concept for live-score (PL Premiere: Gdansk)
Christoph Ogiermann: „/fɔːl/raus“ for three players (World Premiere: Berlin)
Annesley Black: „Tolerance Stacks“ for quintett, live-electronics & live-video (World Premiere: Darmstadt)

2015

Thomas Wenk: „Mögen Sie Musik?“ Performance for live-cassette recorders and volunteer (DE Premiere: Berlin)
Jagoda Szmytka: „GAMEBOY“ for speaking sampleplayer player & video (PL Premiere: Warsaw)
Brigitta Muntendorf: „Public Privacy #2 – Piano Cover“ for live-electronics and video (PL Premiere: Warsaw)
Sergej Maingardt: „It´s Britney, bitch“ for sampler and live-video (PL Premiere: Warsaw)
Joseph Kudirka: „Sebastian plays the Keyboards“ (PL Premiere: Warsaw)
Chris Ruffoni: „Piano Grinds“ for piano, tape and live-electronics (DE Premiere)
Thomas Wenk: „Mögen Sie Musik?“ Performance for live-cassette recorders and volunteer (BE Premiere: Ghent)
Terry Riley: Keyboard Study #1 (BE Premiere: Ghent)
Enno Poppe: Arbeit for virtual Hammond organ (BE Premiere: Ghent)
Tristan Murail: „Vision de la Cité Interdite“ Duo for two DX7 synthesizers (BE Premiere: Ghent)
Tristan Murail: „Atlantys“ Duo for two DX7 synthesizers (BE Premiere: Ghent)
James Saunders: „#[unassigned], version for Sebastian Berweck“ (BE Premiere: Ghent)
Alexander Grebtschenko: „<“ Installation for 10 small loudspeakers (BE Premiere: Ghent)
Jagoda Szmytka: „LOST“ music theatre (World Premiere: Warsaw)
Simon Steen-Andersen: „Mono“ Version for singing keyboarder (PL Premiere: Warsaw)
Simon Steen-Andersen: „Mono“ Version for singing keyboarder (World Premiere: Berlin)
Sarah Nemtsov: „white wide eyes“ for ensemble & live-electronics (World Premiere: Berlin)
Michael Maierhof: „splitting 36.4“ for piano (World Premiere: Berlin)
Michael Maierhof: „splitting 32.3“ for three players (World Premiere: Berlin)
Ole Hübner: „Die Irrfahrten des Odysseus“ music theatre (World Premiere: Berlin)

2014

Bernard Parmegiani: „Stries“ Trio for three synthesizers & tape (CH Premiere: Zurich)
Bernard Parmegiani: „Stries“ Trio for three synthesizers & tape (DE Premiere: Stuttgart)
Haoyu Yuan: „Dr. Jekyll and Mr. Hyde“ for piano & live-electronics (World Premiere: Cologne)
Anton Wassiljew: „Keyboardstück III“ (World Premiere: Cologne)
Daniel Verasson: „null vinchible“ for piano & live-electronics (World Premiere: Cologne)
Jagoda Szmytka: „GAMEBOY“ for speaking sampleplayer player & video (BE Premiere)
Jagoda Szmytka: „GAMEBOY“ for speaking sampleplayer player & video (World Premiere: Karlsruhe)
Martin Schüttler: „Meuten“ for vocal ensemble & live-electronics (World Premiere: Stuttgart)
Kirsten Reese: „The lightest words had the weight of oracles“ for electric guitar and Fairlight CMI Synthesizer (World Premiere: Stuttgart)
Brigitta Muntendorf: „Public Privacy #2 – Piano Cover“ for live-electronics and video (BE Premiere)
Scott McLaughlin: „Bifurcations in a Continuous System“ for live-electronics (BE Premiere)
Sergej Maingardt: „It’s Britney, bitch“ for sampler and live-video (World Premiere: Cologne)
Martin Lorenz: „Structure-Borne Noise“ Duo for keyboard, percussion and electronics (CH Premiere)
Martin Lorenz: „Structure-Borne Noise“ Duo for keyboard, percussion and electronics (World Premiere: Karlsruhe)
Richard Glover: „Similarly spaced triads in temperaments from 12-24“ for live-tuneable piano (BE Premiere)
Richard Glover: „Logical Harmonies 2“ for piano (BE Premiere)
Richard Glover: „Logical Harmonies 1“ for piano (BE Premiere)
Richard Glover: „Contracting triads in temeperaments from 12 – 24“ for microtonal piano (BE Premiere)
Peter Gahn: „Nachtsicht“ Version for orchestra, voice and live-electronics (World Premiere: Stuttgart)
Mick Feltham: „Performance 5“ Concept for live-score (World Premiere: Brighton)
Yves Daoust: „Petite Musique Sentimentale“ for piano and tape (BE Premiere)
Rob Canning: „Parallaxis“ Concept for live-score (World Premiere: Brighton)
Danny Bright: „In the Wires“ Concept for live score (World Premiere: Brighton)
Ole Andresen: „BIG words…like…Schoenberg“ for piano & live-electronics (World Premiere: Cologne)

2013

Terry Riley: „Keyboard Study #1“ (BE Premiere)
Thomas Wenk: „Radierung“ for two cassette recorders & piano (World Premiere: Freiburg)
Katharine Norman: „Making Place“ for piano, live-electronics & live-video (DE Premiere: Karlsruhe)
Dominic Thibault: „Igaluk – To Scare the Moon with its own Shadow“ for live-electronics (BE Premiere)
Dominic Thibault: „Igaluk – To Scare the Moon with its own Shadow“ for live-electronics (GB Premiere)
Dodo Schielein: „N381“ for amplified piano (GB Premiere)
Jennifer Walshe: „LANGUAGE RUINS EVERYTHING“ for voice, piano and optional ensemble (World Premiere: Cologne)
Brigitta Muntendorf: „Public Privacy #2 – Piano Cover“ for live-electronics and video (World Premiere: Karlsruhe)
Daniel Kötter/Hannes Seidl: „Kredit“ music theatre (DE Premiere: Frankfurt)
Daniel Kötter/Hannes Seidl: „Kredit“ music theatre (World Premiere: Graz)
Daniel Kötter/Hannes Seidl: „Studio“ Radio collage (World Premiere: Berlin)
Bernhard Lang: „DW16e – Songbook I“ for quintett (World Premiere: Berlin)
Richard Festinger: „Head over Heels“ for synthesizer and live-electronics (DE Premiere: Karlsruhe)
Peter Gahn: „Terminal“ for speaking live-electronics player (World Premiere: Düsseldorf)
Peter Gahn: „Nachtsicht“ Version for speaking live-electronics player (World Premiere: Düsseldorf)
Yves Daoust: „Impromptu“ Duo for piano, synthesizer and tape (DE Premiere: Karlsruhe)

2012

Stefan Prins: „Piano Hero #1“ for keyboard, live-electronics & live-video (DE Premiere: Bremen)
Schüttler/Genschel/Berweck: „die Eselin bei besagtem Gleitschirmflug“ Performance with lyrics, video, piano and live-electronics (World Premiere: Berlin)
Kilian Schwoon: „Knotenkunde“ Trio for piano and two virtual pianos (World Premiere: Karlsruhe)
Dodo Schielein: „N381“ for amplified piano (World Premiere: Karlsruhe)
Benjamin Lang: „Fareweel“ for piano (World Premiere: Aarau)
Orm Finnendahl: „Wheel of Fortune (rev. 2011)“ for piano, live-electronics and live-video (GB Premiere)
Ludger Brümmer: „Move“ for piano, electronics and video (GB Premiere: Huddersfield)
Julia Deppert: „Roamin‘ in the Gloamin’“ for piano (World Premiere: Aarau)
Jef Chippewa: „17 Minitatures“ for trio (World Premiere: Berlin)
Dominic Thibault: „Igaluk – To Scare the Moon with its own Shadow“ for live-electronics (World Premiere: Karlsruhe)

2011

Julien-Robert Legault Salvail: „Chute libre“ for ensemble and video (GB Premiere: Huddersfield)
Daniel Weymouth: „Unexpected Things“ for violin, piano & live-electronics (GB Premiere: Huddersfield)
Jennifer Walshe: „Hygiene“ for ensemble (World Premiere: Berlin)
Øyvind Torvund: „Music for a performance by Yorgos Sapountzis“ for keyboards and percussion (World Premiere: Berlin)
Chris Ruffoni: „Piano Grinds“ for piano, tape and live-electronics (World Premiere: Huddersfield,)
Joao Pedro Oliveira: „Entra o ar e a perfeicao“ for flute, piano & electronics (GB Premiere: Huddersfield)
Christoph Ogiermann: „YOTTA / NYQUIST / GODZILLA / UND HÄH?“ Duo for violin, keyboards & electronics (World Premiere: Berlin)
Scott McLaughlin: „Bifurcations in a Continuous System“ for live-electronics (World Premiere: Huddersfield)
Joseph Kudirka: „Sebastian plays the Keyboards“ (DE Premiere)
Joseph Kudirka: „Sebastian plays the Keyboards“ (World Premiere: Huddersfield)
Johannes Kreidler: „slot machines“ for piano and tape (DE Premiere)
Johannes Kreidler: „slot machines“ for piano and tape (World Premiere: Huddersfield)
Ben Isaacs: „too expanding“ for piano and tape (World Premiere: Huddersfield)
Richard Glover: „Logical Harmonies 1“ for piano (World Premiere: Huddersfield)
Marta Gentilucci: „Radix Ipsius“ for ensemble (GB Premiere)
Orm Finnendahl: „Wheel of Fortune (rev. 2011)“ for piano, live-electronics and live-video (World Premiere: Karlsruhe)
Ray Evanoff: „A Series of Postures“ for piano (World Premiere: Huddersfield)
Jack Coleman: „Keyboard Sonata“ for live-electronics (World Premiere: Huddersfield)
Per Bloland: „Of Dust and Sand“ for piano & live-electronics (GB Premiere: Huddersfield)
Fabrice Bollon: „Konzert für E-Cello und Orchester“ (World Premiere: Saarbrücken)
Pat Allison: „Anything you do is a lie and nothing that happens to you is true/IV“ for solo piano (World Premiere: Huddersfield)

2010

Martin Schüttler: „schöner leben 2 (Monument für T.H.)“ for piano & tape (GB Premiere)
Oliver Korte: „zögern … schweigen“ for piano (GB Premiere)
Scott Hewitt: „onRadio MIDI“ for electronics (World Premiere: Huddersfield)

2009

Enno Poppe: „Arbeit“ for virtual hammond organ (GB Premiere: Huddersfield)
Maximilian Marcoll: „Samstag Morgen – Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch“ for piano and live-electronics (GB Premiere: Huddersfield)
Michael Maierhof: „splitting 28.1“ for piano (GB Premiere: Huddersfield)
Johannes Kreidler: „Klavierstück 5“ for piano and tape (GB Premiere: Huddersfield)
Benjamin Lang: „ABDucensparese (oder Xenoglossie)“ for piano (GB Premiere: Huddersfield)
Thomas Wenk: „TAURUS CT–600“ for two cassette recorders (GB Premiere: Huddersfield)
James Saunders: „#[unassigned], version for Sebastian Berweck“ (GB Premiere: Huddersfield)
Hans Tutschku: „Zellen – Linien“ for piano & live-electronics (GB Premiere: Huddersfield)
Alexander Grebtschenko: „durchgestrichen“ (GB Premiere: Huddersfield)
Martin Schüttler: „Gier“ for ensemble & electronics Rev. Version (World Premiere: Karlsruhe)
Joseph Anton Riedl: „for speaker and four pianos“ (World Premiere: Munich)

2008

Hans Tutschku: „Zellen – Linien“ for piano & live-electronics (LT Premiere: Vilnius)
Brian Kane: „another cascando“ for piano and tape (DE Premiere)
Hannes Seidl: „Von Mücken, Elefanten und der Macht in den Händen“ Hamburger Fassung (World Premiere: Hamburg)
Hannes Seidl: „Box“ for trio (World Premiere: Frankfurt)
Michael Maierhof: „daily songs 2“ for voice and piano (World Premiere: Frankfurt)

2007

Jennifer Walshe: „moving in / love song / city front garden with old men“ for voice & piano (DE Premiere:)
Johannes Kreidler: „Klavierstück 5“ for piano and tape (US Premiere)
Hans Tutschku: „Zellen – Linien“ for piano & live-electronics (US Premiere)
Hans Tutschku: „Zellen – Linien“ for piano & live-electronics (World Premiere: Berlin)
Martin Schüttler: „schöner leben 2 (Monument für T.H.)“ for piano & tape (World Premiere: Frankfurt)
Manel Ribera Torres: „Say thanks to Mr. Franz Joseph Beethozart“ for piano (ES Premiere)
Manel Ribera Torres: „Say thanks to Mr. Franz Joseph Beethozart“ for piano (World Premiere: Frankfurt)
Manel Ribera Torres: „Four crosswords“ for ensemble (DE Premiere)
Maximilian Marcoll: „Samstag Morgen – Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch“ for piano and live-electronics (World Premiere: Weimar)
Michael Maierhof: „splitting 28.1“ for piano (World Premiere: Sylt)
Michael Maierhof: „daily songs 1“ for voice and piano (World Premiere: Hamburg)
Brian Kane: „another cascando“ for piano and tape (World Premiere: Harvard)
Christian Billian: „Kabine der Simultanübersetzer (…Kabine 6)“ for piano (World Premiere: Oldenburg)

2006

Jennifer Walshe: „theme from…“ for violin & piano (DE Premiere)
Sebastian Claren: „Alkan“ for piano (US Premiere: Redlands)
Kostia Rapoport: „typenarmut“ Duo for piano and live-electronics (World Premiere: Freiburg)
Holger Klaus: „wings (schwingen)“ for piano (DE Premiere)
Holger Klaus: „wings (schwingen)“ for piano (World Premiere: Redlands)
Evan Johnson: „Dehiscenes, Lullay“ for piano and tape (World Premiere: Redlands)
Johannes Kreidler: „Klavierstück 5“ for piano and tape (World Premiere: Freiburg)
Philipp Blume: „Rosy derivative“ for piano (DE Premiere: Freiburg)
Philipp Blume: „Rosy derivative“ for piano (World Premiere: Redlands)
Yaeko Asano: „Berg Stern Stein – Sonne“ for trio (World Premiere: Hannover)
Christian Billian: „Kabine der Simultanübersetzer (…Kabine 7)“ for piano (World Premiere: Berlin)

2005

Nicolaus A. Huber: „La Force du Vertige“ for quintett (ES Premiere: Barcelona)
Isabel Mundry: „D’où venons nous – Que sommes nous – Où allons nous“ for quartett (ES Premiere: Barcelona)
Magnus Lindberg: „Quintetto dell’Estate“ (ES Premiere: Barcelona)
Christopher Williams: „¡Okupa! ¿Resiste?“ for trio (World Premiere: Barcelona)
Manel Ribera Torres: „Four crosswords“ for ensemble (World Premiere: Barcelona)
Martin Tansek: „Sonatine pornographique“ for piano & tape (CH Premiere)
Martin Tansek: „Sonatine pornographique“ for piano & tape (World Premiere: Bremen)
Maximilian Marcoll: „hundert rahmen, hochkant“ for piano and live-electronics (World Premiere: Essen)
Ali Gorji: „Urrealis“ for piano and live-electronics (CH Premiere)
Ali Gorji: „Urrealis“ for piano and live-electronics (World Premiere: Bremen)
Jan Dvorak: „Plan A“ for ensemble (World Premiere: Hamburg)
Sean Reed: „Krümmungen 1b“ for quintett (World Premiere: Hamburg)
Michael Pinter (reMI): „error_05/ auto_face“ concept for variable players & live-electronics (World Premiere: Hamburg)

2004

Benjamin Lang: „ABDucensparese (oder Xenoglossie)“ for piano (US Premiere)
Michael Maierhof: „splitting 16“ for piano (US Premiere)
Beat Fehlmann: „norm the things“ for piano (CH Premiere)
Johannes Schöllhorn/Ludger Engels: „Rote Asche. Musik-Film-Theater“ (World Premiere: Lucerne)
Johannes Schöllhorn: „Damenstimmen“ for voice and piano (US Premiere)
Thomas Wenk: „TAURUS CT–600“ for two cassette recorders (CH Premiere)
Thomas Wenk: „TAURUS CT–600“ for two cassette recorders (US Premiere)
Thomas Wenk: „TAURUS CT–600“ for two cassette recorders (BE Premiere)
Tim Parkinson: „piano piece (october 2002)“ (DE Premiere)
Tim Parkinson: „piano piece (october 2002)“ (World Premiere: Granville)
James Saunders: „#[unassigned], version for Sebastian Berweck“ (CH Premiere)
James Saunders: „#[unassigned], version for Sebastian Berweck“ (DE Premiere)
James Saunders: „#[unassigned], version for Sebastian Berweck“ (World Premiere: Stanford)
Hannes Seidl: „Die Anderen – jetzt neu!“ for piano and tape (US Premiere: Standford)
Hannes Seidl: „Die Anderen – jetzt neu!“ for piano and tape (World Premiere: Hamburg)
Martin Schüttler: „conglom-o-mat“ for live-electronics & orchestra (World Premiere: Darmstadt)
Robert Krampe: „La reponse imprévue“ for piano (World Premiere: Lübeck)
Robin Hoffmann: „Der Unsichtbare“ for piano (CH Premiere)
Robin Hoffmann: „Der Unsichtbare“ for piano (World Premiere: Berlin)
Jan Feddersen: „Quintett“ (World Premiere: Hamburg)
John Eckhardt: „Drum’n Cage“ for ensemble and live-electronics (World Premiere: Hamburg)
John Eckhardt: „deep sky objects #2“ for ensemble and electronics (World Premiere: Hamburg)
Alexander Grebtschenko: „durchgestrichen“ (World Premiere: Hannover)
Sean Reed: „Krümmungen 1“ for quintett (World Premiere: Hamburg)

2003

Benjamin Lang: „ABDucensparese (oder Xenoglossie)“ for piano (BE Premiere: Ghent)
Martin Schüttler: „venus_5“ for piano & live-electronics (BE Premiere: Ghent)
Michael Maierhof: „splitting 16“ for piano (BE Premiere: Ghent)
Michael Maierhof: „splitting 16“ for piano (World Premiere: Breisach)
Andreas Maier: „Klavierstück f43c7g13XT16C112c1f’68“ (World Premiere: Freiburg)
Beat Fehlmann: „norm the things“ for piano (World Premiere: Hannover)
John Eckhardt: „deep sky objects #1“ for ensemble and electronics (World Premiere: Hamburg)
Andrew Digby: „Evaporation“ for piano (BE Premiere: Sofia)
Andrew Digby: „Evaporation“ for piano (World Premiere: Breisach)
John Cage: „Five“ for five players (BG Premiere: Sofia)
Heinrich Börsch–Supan: „Folgen“ (BE Premiere: Ghent)
Steve Reich: „Pendulum Music“ for microphones & feedback (BG Premiere: Sofia)
Terry Riley: „Keyboard Study #2“ (BG Premiere: Sofia)
Terry Riley: „Keyboard Study #1“ (BG Premiere: Sofia)
Philip Glass: „Two pages“ for piano or electric keyboard (BG Premiere: Sofia)
Alvin Lucier: „Music for Piano and two Slow Sweep Pure Wave Oscillators“ (BE Premiere: Ghent)

2002

Valerio Sannicandro: „Births“ for ensemble (World Premiere: Darmstadt, 2002)
Tristan Murail: „Winter Fragments“ for ensemble & electronics (DE Premiere: Darmstadt)
Martin Schüttler: „venus_5“ for piano & live-electronics (World Premiere: Karlsruhe)
Rozalie Hirs: „Book of mirrors“ for ensemble (DE Premiere: Darmstadt)

2001

Andreas Maier: „Klavierstück C112XT16c1g13f43“ (World Premiere: Freiburg)
Alexander Grebtschenko: „Now back to Daria“ for piano (World Premiere: Freiburg)
Heinrich Börsch–Supan: „Folgen“ (World Premiere: Freiburg)
Philipp Blume: „keine Huldigung“ for singing pianist (World Premiere: Freiburg)

2000

Nicolaus A. Huber: „Disappearances“ for piano (US Premiere: 2000)
Johannes Menke: „Sichten und Ordnen“ for trio (World Premiere: Freiburg)
Johannes Menke: „Die Lichtung“ for trio (World Premiere: Freiburg)
Gordon Fitzell: „Art“ for violin and piano (DE Premiere: Darmstadt)
Alexander Grebtschenko: „Trio für Violine, Violoncello und Klavier“ (formerly: Annihilation) (World Premiere: Berlin)

1999

Andreas Maier: „Idüll“ for ensemble (World Premiere: Freiburg)

1998

Johannes Menke: „Melodia“ for ensemble (World Premiere: Freiburg)
Andreas Herrmann: „Bebop“ for trio (World Premiere: Freiburg)
Blas Atehortùa: „Serenata para cinco estaciones“ for ensemble (DE Premiere: Freiburg)

1997

Thomas Wenk: „Recordame“ for cassette recorder & piano (World Premiere: Freiburg)
Alba Lucia Potes: „Aprisa“ for trio (DE Premiere: Freiburg)
Byong – Dong Paik: „Trio für Violine, Violoncello und Klavier“ (DE Premiere: Freiburg)
Milton Estévez: „cantos vivos y cantos rodados“ for ensemble (World Premiere: Freiburg)

1996

Eric Young: „Cave Poems“ (World Premiere: Prague)

1995

Andrew Digby: „in the orchard“ for ensemble (World Premiere: Freiburg)

1994

Andreas Stahl: „sextett“ (World Premiere: Freiburg)
Andrew Digby: „!joysterne …fer givinny – us) shewer“ for ensemble (withdrawn) (World Premiere: Freiburg)
Hartmut Andres: „bezüglich der tradition“ for ensemble (World Premiere: Freiburg)

1992

Franz Hirtler: „Heitere Variationen über ein schwäbisches Lied“ for 8 pianos 32 hands (World Premiere: Stuttgart)

1990

Simon Kühn: „3 Postludien“ for violoncello and piano (World Premiere: Villingen-Schwenningen)
Carl Christian Bettendorf: „Der Einsame im Herbst“ for violoncello and piano (World Premiere: Villingen-Schwenningen)