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Books and CDs
Sebastian Berweck: extended piano
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Benjamin Lang: ABDucensparese
for grand piano (2001)
Michael Maierhof: splitting 16
for piano (2002/2003)
James Saunders: #250904-r
for piano, dictaphones, CD and e-bow (2004)
Thomas Wenk: Recordame
for piano and cassetterecorder (1999)
Johannes Kreidler: Klavierstück 5
for piano and tape (2005)
Ah, just one word: amazing!
Best concert of the festival so far for me. It was perfectly delivered.
Three words? Skilled, progressive, contemporary.
I don't know how to describe it. It's just so unusual, isn't it?
Publikumsreaktionen Huddersfield Contemporary Music Festival
...presents only very exciting compositions...
positionen 80
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stock11.de
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Martin Schüttler: schöner leben 1 (music for K.C.)
for counter tenor with electric piano, megaphone, amplifications, tapes, mask & handgun (2008)
Michael Maierhof: splitting 15
for viola and tape (2006)
Maximilian Marcoll: Samstag Morgen - Berlin Neukölln. Studie. and Selbstportrait. Mit Hirsch.
for piano and tapes (2007)
Martin Schüttler: schöner leben 5 ("Nix verstehen ist besser als gar nichts." - M.K.)
for prepared viola with amplifications and tape (2007/2008)
Michael Maierhof: daily songs 2
for voice, grand piano and coupled oscillations (2008)
Hannes Seidl: Box
for viola, counter tenor, foley artist and electronics (2008)
Jessica Rona: Viola
Daniel Gloger: counter tenor
Sebastian Berweck: piano, controler, foley artist
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naivsuper 2009
naivsuper 015
→ to the order form |
stock11
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Martin Schüttler: venus_5
for piano and live-electronics (2002)
Michael Maierhof: splitting 2
for violoncello(1999)
Hannes Seidl:Twisted Strip
for zither (2002)
Nicolaus A. Huber: Disappearances
for piano (1995)
Sebastian Berweck, piano and keyboards
Georg Glasl, Zither
Michael Moser, violoncello
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naivsuper 2006
2006
naivsuper 005
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MI (live): error_05/auto_face
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MI: error_05/auto_face
für Ensemble, Internet und Videoprojektion (2005)
Live-Aufnahme vom 23. Mai 2005 im Westwerk. Hamburg
As idiosyncratic as a variation on a fiendish process of decomposition, this stinging improvisation was recorded live yet it sounds more like a studio cut-up in which past experiences and future dreams meet to chew the voices of regular instruments and throw them up, snippets of a reality that refuses to be observed from any angle whatsoever. Swantje Tessmann (violin), Sebastian Berweck (Nord Modular G2 synth), Eric Drescher (flutes) and John Eckhardt (acoustic bass) implement noise principles within their unquestionable technical proficiency by fragmenting the sonic scenery into a million of torrid crumbles of feedback and layering rheumatic fevers of teared up synthetic oscillations. The sturdy ostination applied by Trigger to disintegrate improvisational conventions is well represented by the sputtering profane lamentations of the strings, which amidst the volcanic fumes of Berweck's synthesizer assume the role of balancing forces in this finely (de)tuned reproduction of Sodom and Gomorrah.Touching Extremes
Massimo Ricci in Touching Extremes
trigger - Ensemble für aktuelle Musik
Swantje Tessmann, violin
Sebastian Berweck, synthesizer
Erik Drescher, flutes
John Eckhardt, doublebass
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chmafu nochords 2005
→ to the order form |
Martin Schüttler: Pelze & Restposten
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Entnahme 1
Electronic music
linked trips
for amplified ensemble
„Das Mitleid ist die Geißel der Menschheit, Sheriff.“
for 4-channel-electronics and ghettoblaster
Augenbildermusik
for accordion and tape
Entnahme 2
Electronic music
taped & low-bit
for prepared counter tenor and synthesizer
Entnahme 3
Electronic music
Gier
for oboe, percussion, piano, doublebass and live-electronics
taste
musikFabrik
Donatienne Michel-Dansac, soprano
James Wood, conductor
Eva Zöllner, accordeon
Daniel Gloger, counter tenor
Sebastian Berweck, synthesizer
suono mobile
Christof M. Löser, conductor
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Wergo 2009
WER 65752
→ order at stock11.de |
Hannes Seidl
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Was mich angeht
for four tenor trombones
The Art of Home Entertainment
for violin, tenor saxophone, piano, percussion and tape
Zimmerrauschen
for contrabass clarinet
Die Anderen – Jetzt Neu!
for piano and tapes
Leihgabe
for violoncello and mixing console player
Composers Slide Quartett
ensemble intégrales
Theo Nabicht, contrabass clarinet
Sebastian Berweck, piano
Andreas Lindenbaum, violoncello
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Wergo 2009
WER 65742
→ order at stock11.de |
Michael Maierhof: collection
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SPLITTING 22
for violoncello, 4-channel tape and 2-channel video (2003/2004)
SUGAR 1
for violin, violoncello and piano (2001)
SPLITTING 11
for oboe and tape (2001-2005)
SPLITTING 16
for piano (2002/2003)
X-FACH 1
for ensemble (1998/1999)
SPLITTING 2
for prepared violoncello (1999)
Michael Moser, violoncello
Elole Pianotrio
Christian Kemper, oboe
Sebastian Berweck, piano
Christof M. Löser, conductor
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Durian 2006
Durian 025-2
→ order at stock11.de
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Manel Ribera Torres: El món d'Ulisses
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Say thanks to Mr. Franz Joseph Beethozart
for piano (2006)
Trio (2007)
for piano trio
Four crosswords
for ensemble (2005)
Des toupies dans l'insinuation
for ensemble (2007)
El món d'Ulisses
for clarinet (2002)
Perquè encara no surti el sol (a Ferran Granja)
for violin (2003)
Da Caccia
for violin (obra da juventut, revisió 2001)
La fi i el principe de la infantesa
for ensemble (2004)
Rosa M. Caparrós, clarinet
Sebastian Berweck, piano
Joan Plana Nadal, piano
Raul Garrido, violin
Trio Beckett
Ensemble Surplus
Ensemble Martinu
Ensemble L'Embut
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nua/Ars harmonica 2008
→ order at goodnoise.com |
Sebastian Berweck: Taurus CT-600
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Thomas Wenk: Taurus CT–600
for two cassette recorders (2002/2003)
Benjamin Lang: ABDucensparese
for grand piano (2001)
Michael Maierhof: splitting 16
for piano (2002/2003)
Andrew Digby: Evaporation
for piano (2002)
Beat Fehlmann: norm the things
for piano (2003)
Nicolaus A. Huber: Disappearances
for piano (1995)
Sebastian Berweck, piano and cassette recorders
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CD-R, self-published 2004
→ to the order form |
Sebastian Berweck: Now back to Daria
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Thomas Wenk: Recordame
for piano and cassette recorder (1997)
Andreas Maier: Klavierstück C112XT16c1g13f43
for piano and hammer (2000)
Cornelius Schwehr: Do you know what it means to miss
for piano (1982)
Martin Schüttler: venus_5
for piano and live-electronics (2002)
John Cage: Concert for piano and orchestra (1957/58)
Heinrich Börsch–Supan: Folgen. Musik für Klavier
for piano (2001)
Alexander Grebtschenko: Now back to Daria
for piano (2000)
Sebastian Berweck, piano, keyboards, hammer
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CD-R, self-published 2002
→ to the order form |
Sebastian Berweck: American Trance Music
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Philip Glass: Two pages (1968)
Alvin Lucier: Music for piano and two slow sweep pure wave oscillators (1992)
Steve Reich: Pendulum Music (1968/1973)
Terry Riley: Piano Study #1 (1966)
Terry Riley: Piano Study #2 (1966)
Sebastian Berweck, piano, keyboards, programming
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CD-R, self-published 2002
→ to the order form |
Exchange: Latin America
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works by Miguel del Aguila, Milton Estevez, Carlos Sanchez-Gutierrez, Ricardo Zohn-Muldoon, Orlando J. Garcia, Awilda Villarini, Carlos R. Carrillo, Jorge Liderman, Carlos Delgado and Miguel Chuaqui.
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Composers Recordings, Inc. 2000
OCLC 44995468
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Baynov-Piano-Ensemble: up to 8 pianos
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George Gershwin: Rhapsody in Blue
Sergej Rachmaninoff: Valse et Romance
Manuel de Falla: "Danza ritual del fuego"
H. Benker: Drei Tänze
Albert Lavignac: Galop-Marche
L. Gautier: Le Secret
F. Hirtler: Heitere Variationen über ein schwäbisches Lied
"'Auf der schwäbschen Eisenbahn'"
Gioacchino Rossini: Overture to the opera 'Semiramide'
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ARS-Produktion 1992
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Kulturmanagement konkret: An Anatomy of Arts Management
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Birnkraut/Wolf (Hg.):
An Anatomy of Arts Management
includes:
Sebastian Berweck:
Was macht der Computer im Konzertsaal
A short story about the electronic in music.
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Institut für Kulturkonzepte 2008, Hamburg
→ order at amazon.de |
wenn sonst nichts klappt: wiederholung wiederholen
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Buchmann, Mayer, Meunier, Moos, Pick, Rapedius, Rindfleisch, Thomann, Tünschel (Hg.):
„wenn sonst nichts klappt: wiederholung wiederholen“
in art, pop, film, music, everyday life, theory and practice
includes:
Michael Maierhof: splitting 16 (2002)
for piano
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material verlag (2005), material 206
ISBN 3-933557-63-1
→ order at amazon.de
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ars (in)humana?
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Rautmann, Mahnkopf, Pagh-Paan (Hrsg.):
„ars (in)humana“
includes:
Mark André (*1964):...ALS... I (2001)
for clarinet, violoncello and piano
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Hauschild Verlag (2004)
ISBN: 389757246X
→ openlibrary.org |
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